Displaced examines the fragile authority of the architectural space and the capacity of photography to destabilise it.

The work operates within a tension between recognition and disorientation. Calm light and balanced compositions initially invite the viewer into images that appear stable and legible. Gradually, the cues for interpretation - depth, scale and utility - begin to contradict one another. What remains are fragments of the built world that feel both familiar and strangely unstable.

Photography becomes not simply a tool for documenting architecture, but a device capable of undoing its authority. The camera frame isolates and reorders architectural elements, transforming structuresdesigned to stabilise our experience of space into images of perceptual ambiguity. Within the photographic image, the built environment reveals an unexpected fragility.

The spaces intended to orient us can, when seen differently, quietly displace us.